LOPEZ
ISLAND
GRACE CHURCH
70 Sunset Lane · (360) 468-3477
gracelopezisland.org
 All concerts Saturdays
~ Masks and vaccination required ~ -Suggested Donation:
$15, $20 or $25
(a free will offering - everyone welcome)
•
18
and under FREE •

SSEMF presents outstanding
early chamber music on Lopez Island
thanks to your support.

The
Salish Sea Early Music Festival is proud to be an affiliate
organization of Early Music America, which develops, strengthens, and
celebrates
early music and historically informed performance in North America.
All
donations through EMA are fully tax-deductible. Be sure to designate
your gift for "EMA Affiliate Organization" and specify that it is for the Salish Sea
Early Music Festival. Your gift may be matched by your employer.

write
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2022
Salish Sea Early Music Festival on Lopez Island
~
Period Instrument chamber music from six centuries on Lopez Island and
around the Salish
Sea ~
— Please sign our mailing list for updated
schedule announcements (specify Lopez) —
✣ Please see salishseafestival.org for our online offerings ✣
Jeffrey Cohan and Oleg Timofeyev in Lviv, Ukraine
following one of many performances throughout Ukraine
• Saturday, March 19, 2022 at 8:00 PM •
(the later 3 performances will be at 12 noon on Saturdays)
I. RUSSIAN GUITAR and BEETHOVEN'S FLUTE
FOR OUR FRIENDS IN UKRAINE
Oleg TImofeyev ~ guitar (1815)
Jeffrey Cohan ~ eight-keyed flute (1820)
The
festival opens with an exploration of Beethoven-era repertoire for
flute and guitar featuring antique Russian and English instruments
and repertoire by prominent flutists and guitarists from Russia,
France, Germany and Italy. Oleg Timofeyev will play a
Russian 7-string guitar made in Russia in 1815 and Jeffrey Cohan will
play an 8-keyed flute made in London in 1820.
The
program will include music composed collaboratively by guitarist
Louis Ange Carpentras (1786-1852) and flutist Antoine Tranquille
Berbiguier (1782-1835), along with works by guitarist Mauro Giuliani
(1781-1829), flutist Theodor Gaude (1782-1846), and one of the first
modern-day performances of a sonata for flute and Russian 7-string
guitar by Czech guitarist Ignaz von Held (1764-1816), which can be
heard in an online performance by Timofeyev and Cohan here.
Timofeyev,
originally from Moscow, and Cohan have performed together in Kiev and
in six cities in the north, south, east and west of Ukraine, where
conflict currently rages. Both have ancestors who lived in Ukraine.
For two years Timoveyev lived with his family and did research in
Kiev, funded by a Fulbright fellowship. This concert is dedicated to
the love of the Ukrainian national spirit and the love for their
country that unites all Ukrainians, as witnessed by Timofeyev and
Cohan and as is so evident today.
- Oleg Timofeyev’s notes on the Sonata for Flute and Seven-String Guitar by Ignaz von Held:
In terms of his military and
private adventures, Ignaz von Held (aka Ignacio de Held) would make an
excellent protagonist for a historical novel. Born in Hohenbruck (now
Třebechovice pod Orebem, today’s Czech Republic) into a doctor's
family, Ignaz was able to receive excellent education in the
humanities, with a strong emphasis on music. Following the early death
of his father, Ignaz moved to Poland in 1781 to pursue a military
career. His next destination was St. Petersburg where, due to his many
talents and elegant manners, he received the patronage of Prince
Grigory Potemkin. Held’s military achievements included participation
in the 1787-1791 Crimean War against Turkey. After his benefactor
Potemkin died in 1791, Held returned to Poland where he was promoted to
the rank of major and acquired the status of nobility. But soon he got
involved in Tadeusz Kościuszko’s 1794 uprising against the Russian
rule. Upon the ultimate failure of the revolt, von Held was moved back
to Russia to serve a sentence as a prisoner of war. Fortunately for
him, Catherine the Great soon died in 1796. Paul I disagreed with his
mother on a number of issues and as soon as his monarchy began in 1797,
he liberated most of the Polish fighters.
So, von Held found himself in
Moscow, with no military future, and no money. The time was right
to remember about his musical talents, and he published his 1798 Guitar
Method, which is the key event in the history of the Russian
seven-string guitar. Not only was it the historically first
publication for the new instrument, but the words on the cover strongly
suggested that the Russian guitar was conceived as a hybrid instrument
owing its origin to both gut-strung, figure-eight-shaped Spanish and
metal-strung, pear-shaped English guitars. The Sonata for Flute
and Seven-String Guitar included in Held's Method is the earliest known
sonata to involve the Russian guitar.
|

• Saturday, April 23, 2022 at 12:00 Noon •
II. CONCERTI from the COURT of FREDERICK THE GREAT
David Schrader ~ harpsichord
Jeffrey Cohan ~ baroque flute
Elizabeth Phelps ~ baroque violin
Courtney Kuroda ` Baroque violin
Lindsey Strand-Polyak ~ baroque viola
Annabeth Shirley ` baroque cello
Special
guest renowned Chicago harpsichordist David Schrader joins Jeffrey
Cohan
and a small orchestra of baroque players for harpsichord and flute
concerti from the court of
Frederick the Great by Carl Philipp Emanuel Bach, Johann Joachim
Quantz, King Frederick the Great II of Prussia and other composers
associated with the Prussian king’s renowned musical establishment.
David and Jeffrey presented Concert Spirituel at the Church of the
Ascension in Chicago for several years.
|
• Saturday, May 7, 2022 at 12:00 Noon •
III. BAROQUE QUARTET
Susie Napper ~ viola da gamba Elisabeth Wright ~ harpsichord
David Greenberg ~ baroque violin
Jeffrey Cohan ~ baroque flute
Internationally
known period instrument specialists Elisabeth Wright
(harpsichord), Susie Napper (viola da gamba), David Greenberg (baroque
violin) and Jeffrey Cohan (baroque flute) join forces to present
baroque quartets by Marin Marais, Georg Philipp Telemann, Johann
Sebastian Bach and others..
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• Saturday, May 28, 2022 at 12:00 Noon •
IV. JOHANN SEBASTIAN BACH
BRANDENBURG 5 & TRIPLE CONCERTO
Jonathan Oddie ~ harpsichord
Jeffrey Cohan ~ baroque flute
Carrie Krause~ baroque violin
Elizabeth Phelps ~ baroque violin
Courtney Kuroda ~ baroque violin
Lindsey Strand-Polyak ~ baroque viola
Martin Bonham ~ baroque cello
In
a favorite program we have twice offered in previous seasons, harpsichordist
Jonathan Oddie, newly named professor of harpsichord at the Jacobs
School of Music in Bloomington, Indiana, returns to perform two of the
most moving and difficult works for harpsichord and orchestra with
baroque violin soloist Cari Krause, baroque flutist Jeffrey Cohan and
baroque string orchestra.
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~ updated March 7, 2022 ~
Suggested Donation for all concerts:
$15, $20 or $25
(a free will offering - everyone welcome)
• 18 and under FREE •
Do you receive
our email announcements and flyers?!
Please sign our MAILING
LIST (specify Lopez or other favorite concert location)
by sending your
address and any other comments to
salishseafestival@aol.com
~ thank you!
SSEMF banner: detail from "The Last Time it Reached Zero" by James C. Holl.

SSEMF presents outstanding
early chamber music thanks to your support.

The
Salish Sea Early Music Festival is proud to be an affiliate
organization of Early Music America, which develops, strengthens, and
celebrates
early music and historically informed performance in North America.
All
donations through EMA (please see www.earlymusicamerica.org) are fully tax-deductible. Be sure to designate
your gift for "EMA Affiliate Organization" and specify that it is for the Salish Sea
Early Music Festival. Your gift may be matched by your employer.
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