2024 Salish Sea Early Music Festival ~
Period Instrument chamber music from six centuries
around the Salish Sea ~ Please
sign our mailing
list for updated schedule announcements
(please specify preferred concert location)
✣
✣
✣JANUARY 19 -
26, 2024 around the Salish Sea ✣
✣
✣
—Please
follow link to each concert location to
left —
THREE
CENTURIES:
GUITAR,
THEORBO & FLUTE
Michael
Freimuth
~
renaissance guitar & theorbo ~
Jeffrey Cohan
~
renaissance & baroque flutes ~
16th
Century
Diego
Ortiz • William Byrd
Giovanni
Bassano
Girolamo
Dalla Casa
17th
Century
Giovanni
Paulo Cima
Girolamo
Frescobaldi
Giovanni
Battista Fontana
Giovanni
Battista Buonamenti
Bartolomé
de Selma y Salaverde
18th
Century
Arcangelo
Corelli
• André Chéron
Robert
de Visée
Join
us for the opening 2024 Salish Sea Early
Music Festival and an unusual and expansive
journey through the music for guitar, lute
and flute of the 16th, 17th and 18th
centuries, including elaborate jazzed-up
versions of well known songs of the time,
published by the incredible wind instrument
virtuosi of the late 16th century, along
with canzonas, sonatas and suites from
Spain, Italy, England and France. The
instruments include the renaissance guitar,
which is considerably smaller and more
mellow-toned than its modern descendant,
theorbo (an extremely long-necked lute), the
one-piece cylindrical renaissance flute
along with the bass renaissance flute, and
the one-keyed baroque flute.
•
•
•
ONLINE
PERFORMANCES • • • — To
be released —
CANZONAS Trios,
Duos
and Solos Anna
Marsh
~ dulcian (renaissance bassoon)
John Lenti ~ theorbo
Jeffrey Cohan ~ renaissance flute
To
be released someday soon: an unusual and
extensive exploration of the fabric of
early 17th-century music in Italy
(mostly) through the perspective of
the
players of the dulcian, the
renaissance transverse flute, the
theorbo and renaissance lute, their.
The
program includes a solo lute Fantasia
by Giovanni
Battista
Dalla Gostena (1540-1593), a
Canzona (1636) by Giovanni
Battista
Buonamente (c1595–1642), a Sonata
as well as Cantantibus organis
by Giovanni
Paolo Cima (c1570–1630) from his
Concerti Ecclesiastici (Milan
1610), five wonderful canzonas by Tarquinio
Merula (1594/5-1665) from his
Opus 12 (1637) and Opus 17 (1651), a Fantasia
for dulcian solo as well as divisions on Vestiva
e colli for flute and dulcian, both
published in 1638 by Bartolomé
de Selma y Salaverde
(~1595-1638), diminutions
byGirolamo
Dalla Casaon Petit
Jacquet after the chanson by jean
Courtois
for flute and lute, aSonata Concertante by Dario
Castello(1602-1631)
from 1631, and two duos for flute and
dulcian: Beaux yeux by Jan
Pieterszoon
Sweelinck (1562-1621) and a
setting of Le rossignol plaisant
& gratieux by Didier
le blanc.
Fantasia
11 by Giovanni Bassano (1585)
January 11, 2021
Fantasia
3 (1585) by Giovanni Bassano
December 29, 2020
Please see
links in the left column above for specific dates
for each location. ~ last updatedJanuary 15, 2024 ~ Suggested Donation for all
concerts:
$20 to $30
(a free will offering - everyone is most welcome)
• 18 and under FREE •
Do you receive our email announcements and flyers?!
Please sign our MAILING LIST (specify concert
location)
by sending your address and
any other comments to salishseafestival@aol.com
~ thank you!
SSEMF
banner: detail from "The Last Time it Reached
Zero" by James C. Holl. SSEMF presents outstanding early chamber music thanks to your support.
The
Salish
Sea Early Music Festival is proud to be
an affiliate organization of Early
Music America, which develops,
strengthens, and celebrates early music
and historically informed performance in
North America.
The
Salish Sea Early Music Festival is a
501(c)3 organization and all donations
are fully tax deductible in accordance
with the law. Your donations are
welcomed at
https://www.salishseafestival.org/donate
.